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Mohawk Nation News

News and Articles by kahntineta, Mohawk Nation News Publisher

Mohawk Nation News

Category Archives: AFN / Tribal & Band Council / Indian Affairs

RECIND INDIAN LANDS ACTS 1924

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MNN. Aug. 15, 2024. Time to review the Indian Lands Acts of October 25, 1924, the “!00 year business plan to divest turtle island of the indigenous people and all our indigenous land title and resources; execution through the Indian Advancement Act, blood quantum, reservations and POW camps, residential schools, 60’s scoop. . .  Now October 25, 2024 is the 100 year anniversary of Duncan Campbell Scott’s marvelous “business plan”suggesting there would be no more indian problem and we would be happy members of the body politic. We Mohawks have a suggestion that his body be disinterred and sent back to Scotland where he belongs. Mr Scott would not be pleased to see that we are stiil here and growing stonger every day. Canada already has us on reserves, POW camps, called reserves and with band councils pretending they are Canadians. All immigrants coming to turtle island claiming to be “canadiens” ,40,000,000 of them. Canada is a corporaration, not a country.  The rise of the 4th Reicht is alive and well as was displayed in full public view when all members of the House saluted one of the top 700 Nazi war criminals who were imported into Canada through “Operation Paperclip”. and placed within the bureuacracy . All sides of the House of Commons gave him a standing ovation.  A German recently learned that Canada annihilated more indigenous people than Germans had in the holacaust. 

Thahoketoteh sings about Canada’s robust genocide plan: “missionize, Christianize, socialize, minimize, legislate, assimilate, economize, genocide…, 

READ THE STORY OF THE INDIAN LANDS ACTS:

https://mohawknationnews.com/blog/2019/01/28/rescind-indian-lands-acts-1924/

MohawkMothers.ca

mohhawknationnews.com

kahentinetha2@protonmaik,com

Box 991 kahnawake que. canada J0L 1B0

ELORA “MOHAWK WANNABEES!!!

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MNN. Aug. 8, 2024. On August 2nd, 3rd. and 4th, 2024, The Kahnawake Hunters faced the Elora Ontario Mohawks, a non-native team of the Ontario Junior B Lacrosse League at the championship finals. The non-native parents and fans showed the spectators  their method for beating their opponents, the real kanienkehaka/Mohawks at that game.  The appeared t be using a formula of acting out some of their culture with rude behaviour. Lacrosse is a traditional game of the natives who follow strict sportsmanlike behaviour.  This kind of behaviour would not be acceptable at their ultimate sport event, the Olympics, which is presently taking place right now in Paris?

At  some recent games some of the settler mothers waited outside of the arena and yelled at and spit on the faces of our children. Definitely not acceptable.

One spectator from Kahnawake stated in a facebook post, “I came to Elora to watch the Kahnawake Hunters and I was genuinely shocked by how the crowd was behaving. I started recording their chants ’cause i also thought it was funny that these white kids lacrosse team was called “Mohawks”. They sure weren’t acting like their namesake, the Mohawks. I got yelled at by one kid, “Turn your fucking phone off!” Personally, I think they were just embarrassed by their terrible actions.” If they call themselves Mohawks they should play the game like true Mohawks, the kanienkehaka, as it is a community game of respect and healing, to bring everyone together with the good message that here on this planet we are all brothers and sisters with the same mother and the same father. TAKE A LOOK AT SOME OF THEIR ACTIONS at a game we call “the game of creation“. 

 

 

ELORA

 

Be inconspicuous!

 

ELORA ‘PRETEND-MOHAWK’ FANS SHOUT AT THEMSELVES, “LET’S GO MOHAWKS”

The late and great Hank Williams advises these pretend Mohawks, hey “move it on over”: 

Move It on Over Lyrics

[Verse 1]
Came in last night at a half past ten
That baby of mine wouldn’t let me in
So move it on over (move it on over)
Move it on over (move it on over)
Move over, little dog
‘Cause the big dog’s movin in
[Verse 2]
She’s changed the lock on our front door
My door key don’t fit no more
So get it on over (move it on over)
Scoot it on over (move it on over)
Move over, skinny dog
‘Cause the fat dog’s moving in[Verse 3]
This doghouse here is mighty small
But it’s better than no house at all
So ease it on over (move it on over)
Drag it on over (move it on over)
Move over, old dog
‘Cause a new dog’s moving in[Verse 4]
She told me not to play around
But I done let the deal go down
So pack it on over (move it on over)
Tote it on over (move it on over)
Move over, nice dog
‘Cause a mad dog’s moving in

🎙 Hank Williams Sr 🎙 Move It on Over 🎙 Lyrics

Tanakerahneh MNN Sports Columnist

mohawknationnews.com Box 991, kahnawake, que. Canada J0L 1B0 

MohawkMothers.ca

Kahnistensera@riseup.org

kahentinetha2@protonmail.com

LONGHOUSE LADIES

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History of residential school cemeteries is evidence of genocide, interlocutor  Kimberly Murray of Kanehsatake issues historical report, as an ‘antidote to denialism,’ as she works toward her final report.

https://www.cbc.ca/news/indigenous/interlocutor-kimberly-murray-historical-report-1.7253567

Antidote to denialism: “Each residential school burial is a burial site against humanity and is genocide. These mass human rights violations can be prosecuted. Government and church officials made decisions and created all of these that lead to deliberate desecration of the burial sites of indigenous children. Government and church made these policies that lead to deliberate desecration of the burial sites of indigenous children.  At times these officials even actively participated in the desecration through both their actions and failure to act. Government and church created the crisis of missing and disappeared children and unmarked burials that survivors face today. This is meant to be an evidentiary piece of the genocide and crimes against humanity that supplements, complements and supports what the survivors have been saying for decade. Sites of Truth, Sites of Conscience. 

READ THE REPORT

https://drive.google.com/file/d/1QxAYUtCztmu1o04-wJ9xZ50Qc77N3rNo/view

Joe Cocker sings “Woman to Woman” about female intuition: 

Woman to woman (woman to woman)
Hardache to hardache (hardache to hardache)
Lover to lover (lover to lover)
Woman to woman (woman to woman)

Woman to woman
Ev’rything I say ev’ything that’s happening
Seems to come your way
You don’t care if it rains or shines
Long as you know what’s in goin’ down at the local rodeo
Woman to woman (woman to woman)
Hardache to hardache (hardache to hardache)
Lover to lover (lover to lover)
Woman to woman (woman to woman)

Lover to lover
Well, I’m brown as brown can be.
Don’t let it get on me.
You talk about money, honey
And then you pray child.
But I don’t wanna be alone no more.
Woman to woman (woman to woman)
Hardache to hardache (hardache to hardache)
Lover to lover (lover to lover)
Woman to woman (woman to woman)

Hardache to hardache
Don’t let it break so fast.
Think about all you have
And let it last.
I can’t take no more teardrops from you,
But that don’t give you no right to shout
Woman to woman (woman to woman)
Hardache to hard-ache (hardache to hardache)
Lover to lover (lover to lover)
Woman to woman (woman to woman)

Joe Cocker - Woman to woman (1972)

MohawkMothers.ca

 

Residential school burial sites are evidence of crimes against humanity and genocide. These mass human rights violations can be prosecuted. Government and church officials made decisions and created all of this that lead to deliberate desecration of the burial sites of indigenous children. Government and church made these policies that lead to the deliberate desecration of the burial sites of indigenous children. At times these officials even actively participated in the desecration through both their action and failure to act. The government and church created the crisis of missing and disappeared children and unmarked burials that survivors face today. This is meant as an evidentiary piece of the genocide and crimes against humanity that supplements, complements and supports what the survivors have been saying for decades. 

https://drive.google.com/file/d/1QxAYUtCztmu1o04-wJ9xZ50Qc77N3rNo/view

 

 Joe Cocker sings “Women to Woman” about women’s intuition: 

Woman to woman (woman to woman)
Heartache to heartache (hardache to hardache)
Lover to lover (lover to lover)
Woman to woman (woman to woman)

Woman to woman
Ev’rything I say got labeled and has happened
Seems to come your way
You don’t care if it rains or shines
Long as you know what’s been goin’ down at the local rodeo

Woman to woman (woman to woman)
Hardache to hardache (hardache to hardache)
Lover to lover (lover to lover)
Woman to woman (woman to woman)

Lover to lover
Well, I’m brown as brown can be
Don’t let it get on me
You talk about money, honey
And then you pray child
But I don’t wanna be alone long before

Woman to woman (woman to woman)
Hardache to hardache (hardache to hardache)
Lover to lover (lover to lover)
Woman to woman (woman to woman)

Joe Cocker - Woman to woman (1972)

FROM LAKE ERIE TO KANEKOTA

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MNN. July 1, 2024. FOR CANADA’S BIRTHDAY the Skillet sing about resistence.“I am a nation, I am a million faces. Formed together, made for elevation. I am a soldier, I won’t surrender. Faith is like fire that never burns to embers. Who’s gonna stand up? Who’s gonna fight? The voices of the unheard. Who’s gonna break those chains and lies? Love is the answer. I gotta speak. believe it, that’s how I feel inside, can’t sit here quiet.”

Skillet - "The Resistance" [Official Lyric Video]

The northern part of the Haldimand Tract on the Grande River known as Kanekota is thenorthern part of kanienehaka Mohawk land set aside in 1794 protected by the British military for the Mohawk and their posterity forever. At the source, kanekota, is. the highest point where the water from the earth flows north, south, east and west. 

Phil Montour of Six Nations explains the trail the colonists took to steal the trust funds of the rotinishonni people and never paid it back. 

Phil Monture, A Global Solution for the Six Nations of the Grand River,

KANEKOTA WOMEN FILE OBJECTION

https://bsnorrell.blogspot.com/2017/09/mohawk-nation-news-kanekota-women-file.html

WHAT IS SOCIAL INSURANCE: Find out who owns you.

Slavery by Consent by Bushwackk

TRUTH ABOUT TREATY – RARIHOKWATS

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The state took and murdered us and our children to steal our land. They set up a system of wrongdoing that is entrenched in the Canadian legal system, which must be sustained by force, repression, lies. and death. The old life is over.  The system against us is no more.  Our way can battle our adversary. The state is our merciless enemy. Peacetime rules cannot be applied until we have peace. So far we have yet to experience peace since the white man invaded onowaregeh turtle island. They were never invited to turtle island. Every judge, lawyer, cop and politician swear an oath of personal allegiance to the British Crown. In a colony where crime is officially sanctioned, there is no regret, no justice. Indigenous people cannot stand before the enemy and expect justice. Rarihokwats left a legacy of truth and justice for the indigenous people.  

Helen Hunt Jackson stated in “CENTURY OF DISHONOR”, “No atrocities were ever performed that weren’t done to the Indians first”. 

 

The late great singer,  Peggy Lee, sang with Benny Goodman, this wonderful song which brings to mind how no one was suppose to remember us and the genocide but creation. The genocide plan was to forget that we know each other, laughed together before and loved before. The memory was planted in our mind by creation to seek and find those thoughts:

 

"Where Or When" (Official Video) - Peggy Lee

mohawknationnews.com

kahnistensera@sunrise.net

MohawkMothers,ca

kahentinetha2@protonmail.com

#991 kahnawake que. canada J0L 1B0

 

MCGILL CANA’JON

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MNN. June 30, 2024. McGill is in the trenches with the robots! The state did not want indigenous around so they experimented on them to create the genocide plan sanctioned by Colonial law. The politicians and scientists who set up the “sleep room” at the Allan Memorial Institute during the 1940s to 1970’s “took orders” from those who own McGill and are trying to destroy creation. People now listen seriously to the debate of two top US robots who are vying to ‘run’ the world. Militaries are now creating robotic armies to fight each other. Allegedly a California designed robotic office worker committed suicide by throwing itself down a flight of stairs landing in pieces. McGill actually has “war labs” creating these weapons for their clients to murder people. The enlistment rate has declined drastically. The police use robots to attack people in their homes. Robots are not paid and so far have no drug or sex problems.  A robot is programmed to not deal with back stabbing, fork tongued murderers. A robot feels no pity, remorse, or fear. They don’t stop until their target is dead, or their battery dies. As Lakota activist Russell Means said to Congress, “Welcome to the reservation. You are now the new Indians!” 

Here’s “O Canajon” sung by a Mohawk Mother to remind or enlighten the colonists of their genocidic “100 year business plan” that comes due on October 25, 2024 called the Framework Agreement based on the “Indian Lands Acts”, whereby this title acknowledges that the land is totally owned by the indigenous. 

O Canajon

We will heal.

Now watch the “Sleep Room” on the tactics developed at the McGill Allan Memorial Institute under the direction of Dr. Ewen Cameron” to turn people into robots.

The Sleep Room The CIA and MK Ultra in Canada

Contact:

MohawkMothers.ca

mohawknationnews.com

kahnistensera@sunrise.net

kahentinetha2@protonmail.com

#991 kahnawake quebec canada J0L 1B0

DARPA: DARK SIDE OF MCGILL

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MNN. June 29, 2024. In the 1800’s McGill military academy was crashing and desperately needed money. They fraudulently borrowed from the “Iroquois Trust Funds” which were never repaid to the Mohawks. Now McGill has offered to return these stolen funds by paying for any Mohawk who attends their university, though Indian Affairs already pays tuition and expenses for all Indigenous who go there. This looks like part of the continuation of the state terror program through their education system.

Canada considers the indigenous as state property entrenched in their colonial system which is sustained by repression, lies, constant fear and death. The band council system known as “government mules” on each POW encampment called ‘reserves’, carry out the genocidal orders of the state. Our children are being  herded into one of the foremost corporate brainwashing institutions in the world, McGill, where the merciless enemies of the indigenous are trained to not apply peacetime rules. We are not grateful to be offered our own money by an education system based upon genocide and European values, similar to the deathly residential schools that have been acknowledged as “cultural genocide” by Prime Minister Justin Trudeau. Genocide is genocide!

We are waiting for every indigenous place name to be publicly reinstated throughout onowaregeh turtle island. The European names reflect genocide. 

“THE DARK SIDE OF DARPA”.

 

People throughout the world see that the levee is about to break and the people of McGill might not be prepared for it. As the song says, when the levee breaks, honey, you gotta move:

If it keeps on rainin’, levee’s goin’ to breakIf it keeps on rainin’, levee’s goin’ to breakWhen the levee breaks I’ll have no place to stayMean old levee taught me to weep and moanLord mean old levee taught me to weep and moanIt’s got what it takes to make a mountain man leave his homeOh well, oh well, oh well
Don’t it make you feel badWhen you’re tryin’ to find your way homeYou don’t know which way to go?If you’re goin’ down SouthThey got no work to doIf you don’t move to Chicago
Cryin’ won’t help you prayin’ won’t do you no goodNow cryin’ won’t help you prayin’ won’t do you no goodWhen the levee breaks mama you got to moveAll last night sat on the levee and moanedAll last night sat on the levee and moanedThinkin’ ’bout me baby and my happy homeGoing to ChicagoGoing to Chicago
Sorry but I can’t take youGoing down, going down now, going downGoing down now, going downGoing down, going down, going down
Going down now, going downGoing down now, going downGoing down now, going downGoing d-d-d-d-downWoo, woo

When The Levee Breaks feat. John Paul Jones | Playing For Change | Song Around The World

 

Contact: mohawnationnews.com

kahnistensera@sunrise.net

MohawkMothers.ca

kahentinetha2@protonmail.com, Box 991 kahnawake que. canada J0L 1B0

EMANCIPATION IS HERE ON THIS ISLAND

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MNN. June 28, 2024. Everyone in the world knows that we onkwehonwe are turtle island. The colonists took up residence, and stole the land, forests, waters, resources from the natural people placed here by kasastensera kowa saoiera, creation.  What they are doing to us is not fair, just or reasonable. They know we can never give up our mother earth. The kanienkehaka of akwesasne are carrying out their duties according to the kaianerekowa, the great peace.

Land Back at Barnhart

Contextualizing the Re-occupation of Barnhart Island in Shared Legacies of Struggle

By Jennifer Lee

Views expressed in this opinion editorial do not represent those of any of the eight individuals arrested at Barnhart Island.
Some of the members of the Akwesasne 8 along with Indigenous supporters from outside of the community. (Photo by Akwesasne community member Demetri Lafrance)

On May 21, 2024, a group of eight Kanien’kehá:ka (Mohawk) community members from Akwesasne were arrested at Niionenhiasekowa:ne (Barnhart Island). Certain individuals among the “Akwesasne 8” had originally gone to Barnhart to exercise their right to build a hunting and gathering shelter on their own territory, in part to protest an ongoing land claim settlement that threatens to hand over Kanien’kehá:ka title to this island, among other traditionally held territories, to New York State. The settlement is being negotiated between New York entities and three Akwesasne government councils.1 Presently, the settlement negotiations would require the extinguishment of Mohawk title to Barnhart Island, which would be effectuated through an act of Congress.2 By asserting their right to the land, the Akwesasne 8 have sent a clear message to both negotiating parties. Barnhart Island, like all other territories illegally stolen and swindled from their community, is not for sale—particularly not by collaborationist band and tribal council entities that purport to represent the full community but that were in fact historically imposed upon it at gunpoint.

READ THE STORY:

https://magazine.scienceforthepeople.org/online/land-back-at-barnhart/#easy-footnote-15-16285

 

By Marina Johnson-Zafiris

“[This] is not a story of triumphs of engineering over nature, nor is it a story of masterpiece on international diplomacy, nor even a story about change. It is rather a story about the intimate relationship that the Mohawks of Akwesasne had with the environment in which they lived from time immemorial and how change was forced upon them, through really no choice of their own. It is the story of how the forces of outside government and corporate America seemingly conspired to break the identity of the Mohawk in a manner that no residential school had ever successfully accomplished—by changing the environment in which Mohawk survived . . .” (Elders Study, 1995)

READ THE BACKGROUND TO THIS ISSUE:

https://magazine.scienceforthepeople.org/online/akwesasne-and-the-history-of-hydropower/

Our minds and hearts are chained to that island for thousands of years. There is nothing that can break that chain, as Joe Cocker sings to our intruders: 

Unchain my heart
Baby let, let me be
‘Cause you don’t care
well, please
Set me freeUnchain my heart
Baby let me go
Unchain my heart
‘Cause you don’t love me no moreEvery time I call you on the phone
Some fella tells me that you’re not at home
Unchain my heart
Set me freeUnchain my heart
Baby let me be
Unchain my heart
‘Cause you don’t care about meYou’ve got me sewed up like a pillow case
But you let my love go to waste
Unchain my heart
Set me freeI’m under your spell
Like a man in a trance baby
Oh but you know darn well
That I don’t stand a chanceUnchain my heart
Let me go my way
Unchain my heart
You worry me night and day

Why lead me through a life of misery
When you don’t care a bag of beans for me
Unchain my heart oh please
Set me free
Alright

I’m under your spell
Just like a man in a trance, baby
But you know darn well
That I don’t stand a chance

Please unchain my heart
Let me go my way
Unchain my heart
You worry me night and day

Why lead me through a life of misery
When you don’t care a bag of beans for me
Unchain my heart
Please set me free

Oh set me free
Oh woman why don’t you do that for me
You don’t care
Won’t you let me go
If you don’t love me no more
Like a man in a trance
Let me go
I’m under your spell
Like a man in a trance
Oh but you know darn well
That I don’t stand a chance no
Oh
You don’t care
Please set me free

Joe Cocker - Unchain My Heart 2002 Live Video
box 991, kahnawake quebec. canada. J0L 1B0

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THE PIG STY CEMETARY
MNN. June 26/24. The aim of real archeology is to try to understand the future. To find what happened in the past to help us interpret the present. To find what we have forgotten. Something makes us want to see what is going on around us and what happened to us. Our ancient language is about hidden knowledge, such as, for example, what happened to the Duplessis orphans when the colonial settlers decided to develop a super liquor warehouse on top of a graveyard of children who died at the nearby hospital. It was called the ‘pig sty cemetary’. A lot of the secrets about this sordid event are now coming out into the open. The orphans saw things and were told it was in their imagination. They want to remember who they are. The more they seek and find the truth, the less angry they will be for the disappearances they witnessed of their friends.  SEE THE APTN COVERAGE: 
It seems like Ricky Scaggs may have visited the Montreal East site near the Port of Montreal where they moved out their filth from the pig pen:
I got a pig, home in a penCorn to feed him onAll I need is a pretty little girlTo feed him when I’m gone
Dark clouds are risingSure sign of rainGet your old gray bonnet onSweet little Liza Jane
I got a pig, home in a penCorn to feed him onAll I need is a pretty little girlTo feed him when I’m gone
Bake ’em biscuits, babyBake ’em good and brownWhen you get them biscuits bakedWe’re Alabama bound
I got a pig, home in a penCorn to feed him onAll I need is a pretty little girlTo feed him when I’m gone
Goin’ on a mountainTo sow a little caneRaise a barrel of SorghumSweet little Liza Jane
I got a pig, home in a penCorn to feed him onAll I need is a pretty little girlTo feed him when I’m gone
I got a pig, home in a penCorn to feed him onAll I need is a pretty little girlTo feed him when I’m gone
https://www.youtube.com/watch?v=MlVzA8XK3Xc&list=RDMlVzA8XK3Xc

TRAFFICKING OF “INDIGENOUS CULTURAL HERITAGE”

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MCGILL/MCCCORD & MOHAWK MOTHERS DISCUSSION, JUNE 3. 2024 

“TRAFFICKING OF INDIGENOUS CULTURAL HERITAGE “-

Six Nations chiefs explaining wampum belts 1871.

MNN. June 15, 2024. This message was delivered to McGill McCord Museum on behalf of Kahnistensera Mohawk Mothers:

“Wampum belts have been trafficked across international borders not recognized by us. Trafficking of cultural goods is the illicit import, export and transfer of cultural property. In 2011, the US Immigration and Customs Enforcement and Homeland Security announced that the illicit sale of cultural property is the third most profitable black market industries in the world, following weapons and narcotics trafficking! Wampums were stolen from indigenous communities on Turtle Island, often by using coercive strategies or middlemen who profitted from the misery and chaos of colonialism.

Band Councils do not represent us. They are an incorporated entity of Parliament and represent Canada, not the original indigenous peoples.   

One dish one spoon Agreement: Natural resources such as animals, fish and medicinal plant should be shared in a respectful manner amongst  onkwehonweh people. 

Wampum cannot be sold by an individual. They are stewarded by specific families to conserve them for the future generations. Individuals cannot sell Kanien’keha:ka cultural heritage, like a piece of merchandise. They are historical agreements that are recorded for the future generations. For a century, McGill’s McCord Museum has possessed Kanien’keha:ka wampum that were acquired when our people were experiencing great duress on financial, social and physical levels, which Canada has recently acknowledged as genocidal. This history was not communicated to the public at the recent display of wampum. Today we are here to renew our relationship on better terms, based on collaboration, justice and truth-telling. We offer the McCord Museum an opportunity to return Kanien’keha:ka belongings to our communities, where they belong.

McGill and McCord squat on unceded Onkwehonkwe land and retain possession of and control over immensely valuable cultural heritage which forms the backbone of our identity, governance structures and nationhood. We traditional Kanien’keha:ka Longhouse people live in accordance with our precolonial constitution which our ancestors helped us to develop from time immemorial, the Kaianerehkowa. Wampum form the very basis of our cultural identity. Our right to live, possess and control our heritage is the basis of our culture, which is acknowledged by Section 35 of the Constitution Act of Canada 1982, which states: “The existing aboriginal and treaty rights of the aboriginal peoples of Canada are hereby recognized and affirmed”, as well as by the United Nations Declaration on the Rights of Indigenous Peoples Act, which is the Federal repatriation of the UNDRIP protocols outlined by the United Nations.

In the United States, these conversations have led to the creation of the Native American Graves Protection and Repatriation Act (NAGPRA), which currently requires museums to collaborate on projects with Indigenous peoples to  repatriate all Indigenous heritage to Indigenous communities. The historic, traditional and artistic materials created by a people as an expression of themselves belongs to us, the original people from whom the objects were stolen and separated from the historical settings of these objects.

The UNDRIP Act in Canada states in Article 31 that: “Indigenous peoples have the right to maintain, control, protect and develop their cultural heritage, traditional knowledge and traditional cultural expressions, as well as the manifestations of their sciences, technologies and cultures, including human and genetic resources, seeds, medicines, knowledge of the properties of fauna and flora, oral traditions, literatures, designs, sports and traditional games and visual and performing arts. They also have the right to maintain, control, protect and develop their intellectual property over such cultural heritage, traditional knowledge, and traditional cultural expressions.” Article 25 says: “Indigenous peoples have the right to maintain and strengthen their distinctive spiritual relationship with their traditionally owned or otherwise occupied and used lands, territories, waters and coastal seas and other resources and to uphold their responsibilities to future generations in this regard.”

Regarding Indigenous peoples, all states and publicly-funded corporations such as McGill are expected to recognize and protect the exercise of these rights. Every living being on earth has a spirit, including wampum that were handmade by our ancestors which carried forth our knowledge and instructions for future generations of Onkwehonweh. The spirit placed into the wampum was for the future generations of our people, not for the enjoyment and entertainment of tourists and academics. We feel the spirit of these teachings from our ancestors in our whole being. An object having an historical, traditional or cultural importance central to the indigenous people or culture itself, are not property owned by an individual. They cannot be alienated, appropriated or conveyed by any individual, corporation or organization. Such objects are inalienable by all parties at the time the object was created.

According to the Two Row Tehiohate philosophy, our society knows how to govern ourselves from birth. We had no jails, police, weapons or threats of death to manage our relationships. We are a true free self-determining people, with a “constitution” that is a true world heritage that has influenced what came to be called “democracy” all over the planet. For example, the United States’ decentralized semi-autonomous state system was appropriated from our traditional governance structures by Benjamin Franklin and the League of Nations. Wampum is the promise of the Kanien’keha:ka to pass our knowledge and traditions to future generations and to carry out the agreements made between the parties involved. As colonialist Cadwallader Colden described, “Wampum is a system of memory and recall far more advanced than anything they have seen in Europe.” The wampum was taken out regularly from the basket in the general council and the words were repeated to remind the people of the promise. The white people were invited to the wampum recitals, though their memory was faulty and many promises were broken.

Teiohateh Two Row, is the universal relationship of non-domination, balance and harmony between different people.

Wampum belts are promises of peace. To us it is not right to display our cultural heritage in museums as dead objects that no longer matter. We will not accept being put on display any longer. Wampum are living heritage that we are still using as the basis of our agreements, traditions, protocols and relationships. The fact that the McCord Museum of McGill University hold these items and put them on display remind us of how these agreements were violated by Europeans and transformed into entertainment items, stripped of their social, spiritual and political meaning. The essence of our agreements is in our minds. Wampum only work if we entertain a living relationship with them. Our honesty brings back our words and thoughts from these discussions. Our message based on the kaianerekowa, the great peace, has never been diminished. We must regularly review the original meanings.

We indigenous people belong to the land. The women made the belts because they have the duty of peace. The McCord exhibit misinterpreted certain meanings, for example stating that the straight line in the middle of the wampum represents the rule to govern. This improper representation must be corrected by our Elders and Knowledge Keepers. A gross misrepresentation in the exhibit suggested that we used wampum as money. It is Europeans who turned our wampum into a form of money, an idea that did not exist in our way.

The museum overlooked the original cultural meanings of the wampum. We offer to work together to correct this so that such violations, abuses, and misunderstandings can be made right. We will begin by discussing proper arrangements for the return to our communities of our heritage. We pledge to inform everyone of the true power, spirit and meanings of the wampum which is the basis of our relationship with all peoples and all life. We wish to remove the misleading narratives devised by European scholars and other foreigners by putting our wampum back in our hands. The way that these wampums were lost to our communities is very dark and troubling.

For many invading colonists all over the world our wampum were valuable objects of fashion that they stole and used as symbols of status. Some were taken right off the dead bodies of murdered Indigenous people throughout turtle island and then sold. Some wanted souvenirs to hang on their wall to remind them of having murdered us. Colonial institutions, especially museums, and their funders, such as the Bank of Canada, are pervaded by the continuation of a deep historical legacy of racism and genocide which must now stop. The general lack of information stems from the horrific conditions under which wampum were taken away from us. McCord did not provide meaningful and truthful explanations of the wampum and of how they ended up in McCord’s storage rooms. Somewhere the trail of information leading to their origins has been suppressed. We come to state without any ambiguity that it is time to return all our heritage to us for us to determine how our past, present and future will be used and interpreted. 

Wiskniontsakeh signifies the alliance of five different peoples

who pledge to live by the great peace.  

We hereby propose the following agreement: McCord Museum shall:

1. Relinquish all claims of ownership to Indigenous cultural heritage. 

2. Negotiate the transfer of Kanien’keha:ka cultural heritage to the Kahnistensera Mohawk Mothers, who will coordinate their rematriation to Indigenous communities. McCord may hold the material on our behalf until arrangements are made to move them.

3. Understand that Kanien’keha:ka cultural heritage, including but not limited to wampum, is on temporary loan to the McCord Museum from the Kanien’keha:ka, contingent on proper care of the material culture and in good faith to facilitate the rematriation of Kanien’keha:ka belongings held by the McCord Museum.

4. Provide the Kahnistensera and Indigenous communities with a complete inventory of wampum, including all related documents and data that McCord may possess or have access to.

5. Fund Indigenous-led research into the meaning and historical movements and displacements of each wampum, to share correct information with the public. This includes funding a Kahnistensera-led program with Kanien’keha:ka elders, knowledge keepers and youth to correct the record.

6. Fund the safe and secure storage of Kanien’keha:ka cultural heritage until Indigenous communities are able to properly take on the care of these belongings.

[a] The Kanien’keha:ka belongings contained within the inventory will be completely under the ownership and control of Kanien’keha:ka traditional people. [b]  During McCord’s temporary stewardship pending rematriation, McCord shall grant any Indigenous community or persons’ requests to access and use Indigenous cultural heritage, including wampum belts, for their own purposes.

7. Assist with curation expertise and resources, including securing sufficient funding, to ensure, in a timely manner, safe storage of the cultural artifacts in facilities controlled by traditional Indigenous governance systems. McCord shall provide free access to said belongings to all Onkwehonweh of any Indigenous communities to learn, physically handle, and use them for social, educational and ceremonial purposes.

8. Assist in the funding of the Kahnistensera Mohawk Mothers in order to arrange with Kanien’keha:ka communities for the creation, maintenance, and curatorial protocol to build the proper facilities for the transfer of the belts and articles to traditional Indigenous communities.

8. All historical agreements with other parties that allowed our wampum to be taken away and placed in colonial institutions shall be superseded by this agreement, because the original community ownership was never, and could never be, relinquished.

Robbie Robertson sings about the “Ghost Dance” to remind everybody “we shall live again, we shall live again” because of our love for our mother earth and all life.

Crow’s brought the message
To the children of the sun
For the return of the buffalo
And for a better day to come

You can kill my body
You can damn my soul
For not believing in your God
And some world down below

You don’t stand a chance against my prayers
You don’t stand a chance against my love
They outlawed the Ghost Dance
They outlawed the Ghost Dance
But we shall live again, we shall live again

My sister above
But she has red paint
She died at Wounded Knee
Like a Latter-day Saint

You got the big drum in the distance
The blackbird’s in the sky
That’s a sound that you hear
When the buffalo cry

You don’t stand a chance against my prayers
You don’t stand a chance against my love
They outlawed the Ghost Dance
They outlawed the Ghost Dance
But we shall live again, we shall live again
We shall live again

Crazy Horse was a mystic (yeah)
He knew the secret of the trance
And Sitting Bull, the great apostle
Of the Ghost Dance

Come on Comanche
Come on Blackfoot
Come on Shoshone
Come on Cheyenne

We shall live again (we shall live again)
We shall live again (we shall live again)

Come on Arapaho
Come on Cherokee
Come on Paiute
Come on Sioux

We shall live again (we shall live again)

You used to do the Ghost Dance
Used to do the Ghost Dance
But we don’t sing them kinda songs no more

 

 

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