DOGS TO SEARCH FOR UNMARKED GRAVES

HHRDD HISTORIC HUMAN REMAINS DETECTION DOGS

TO SEARCH FOR UNMARKED GRAVES AT SAQ QUEBEC GOVT.  LIQUOR WAREHOUSE

***PRESS RELEASE** __FOR IMMEDIATE PUBLICATION___

MNN. MAY. 10, 2024.

May 10, 2024. 

On May 9, 2024, the Société des Alcools du Québec (SAQ) issued a press release announcing that construction work for a new warehouse in Montreal’s east end will soon resume after the completion of an archaeological inventory performed by the firm it hired, Arkéos. In January 2024, the Kanien’keha:ka Kahnistensera (Mohawk Mothers), in tandem with the Comité des Orphelins et Orphelines Institutionalisé des Duplessis, had reached out to the SAQ to ask for measures to protect human remains on a site where the SAQ wants to build a new automated warehouse for wine, beer and spirits.

The grounds upon which this development project is situated have a tragic history. It was used as a mass grave where the unclaimed bodies of thousands of patients of the St-Jean-de-Dieu psychiatric hospital were fed to the pigs called “the cemetery of the ill” or “the pigsty cemetery”. Indigenous patients were present in addition to Duplessis Orphans, who are largely Quebecois children born out of wedlock or from low-income families that were sent to asylums and orphanages. They were abused after being incorrectly re-categorized as intellectually disabled by Prime Minister Maurice Duplessis. They were kept in forced labour, denied education rights, sexually abused and experimented upon. The Sisters of Providence, who ran St-Jean-de-Dieu, said they exhumed the entire cemetery in 1967. But many additional bodies were found after the SAQ bought the land and started to build a warehouse, in 1975. After further construction in 1999, bones were reportedly found that were never confirmed to be non-human.

Since last January, the Kanien’keha:ka Kahnistensera [Mohawk Mothers] and the Duplessis Orphans have met with SAQ representatives to discuss a respectful and thorough search for human remains before any construction work begins. On April 10, 2024, all parties agreed that an archeological inventory would be gathered using the SAQ’s contractor Arkéos provided that the Canadian Archaeological Association’s Working Group on Unmarked Graves (CAAWGUG) would peer-review the reports and provide additional recommendations before the construction begins. A traditional Mohawk condolence ceremony was conducted and then Arkéos’ inventory began.

The SAQ received the CAAWGUG recommendations on May 9, 2024, just after the SAQ announced they would be continuing construction beginning next week, following the completion of Arkéos’ preliminary archaeological report. As the leading national body of experts formed to address the need for research into the mass genocide of Indigenous people at sites like residential schools, the CAAWGUG recommended the use of Historic Human Remains Detection Dogs (HHRDD), and to identify any human bones found by Arkéos on the site. So far nearly half have not yet been determined as human or animal. The CAAWGUG recommended further investigation using archaeological techniques based on their expertise in finding and identifying unmarked graves and burials to be conducted before any development commences. 

In light of the CAAWGUG’s recommendations and according to our agreement with the SAQ, that there will be further discussions before development continues as announced in its press release. We all want to rely on expertise and best practices. We expect to continue the cooperative and respectful spirit of previous discussions. As the CAAWGUG stated, continuing the development without further investigation would risk disturbing and potentially destroying the graves of the most vulnerable of our society. They died of maltreatment while survivors were retraumatized in one of the darkest chapters of our history. Such a decision would be unprecedented in our discussions with the SAQ thus far regarding a respectful and thorough investigation. We would not meet with anyone intent on disturbing the graves of the dead for the sake of commercial development. We are committed to a respectful dialogue and to implementing the advice of the best experts to respect and honor the survivors and the memory of the victims of these atrocities. 

Judy Garland searched for answers to life and finally threw in the towel and sang that “life is just a bowl of cherries”: 

People are queer, they’re always crowing, scrambling and rushing about

Why don’t they stop someday, address themselves this way?
Why are we here? Where are we going? It’s time that we found out
We’re not here to stay; we’re on a short holiday
Life is just a bowl of cherries
Don’t take it serious; it’s too mysterious
You work, you save, you worry so
But you can’t take your dough when you go, go, go
So keep repeating it’s the berries
The strongest oak must fall
The sweet things in life, to you were just loaned
So how can you lose what you’ve never owned?
Life is just a bowl of cherries
So live and laugh at it allLife is just a bowl of cherries
Don’t take it serious; it’s too mysterious
At eight each morning I have got a date
To take my plunge ’round the Empire State
You’ll admit it’s not the berries
In a building that’s so tall
There’s a guy in the show, the girls love to kiss
Get thousands a week just for crooning like this
Life is just a bowl of, aw, nuts!
So live and laugh at it all!
Life Is Just A Bowl Of Cherries
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GREAT MEETING, GRAND ENTRANCE @ MCGILL ENCAMPMENT


PREVIEW OF FORTHCOMING GREAT PEACE MEETING 

WATCH FORTHCOMING VIDEO OF THE FIRST GREAT MEETING BETWEEN MOHAWKS AND MONTREAL  STUDENTS.  WE ALL HAVE THE SAME ORIGINAL INSTRUCTIONS FROM CREATION: TO CARRY OUT THE GREAT PEACE!

MNN. MAY 3, 2024.

May 5, 2024

thahoketoteh reminds the world that the original instructions of creation are for all the people of the world, our house is for all living earthlings our Mother Earth and the kanonronkwatsera/pure love that she exudes, the best medicine on the planet. and all its natural ways. Hear the “House of Healing”:

How many more times do you need to fall down, pick yourself up, shake it off, and put your feet back on the ground. Hear the wind blow, feel the breeze in your face. Come to our house of healing and awake. There’s so much trouble on our Mother Earth. She gives us everything we need with. so little in return. And with the rains, there comes a cleansing. Come to our house of healing. Everything. is in this place… We are all one with our creator. Ooh heal me. Ooh heal me …

 MohawkMothers.ca

kahnistensera@riseup.com

mohawknationnews.com

box 991,  kahnawake quebec canada J0L 1B0

kahentinetha2@protonmail.com

 

MOHAWK KNOWLEDGE KEEPER PROVIDES GUIDANCE TO “PALESTINIAN ENCAMPMENT” @ MCGILL

TODAY, MAY 3, 2024, AT 3.00, KANIENKEKAH WORDS WILL BE. PROVIDED BY TEKARONTAKE, A KEEPER OF TRADITIONAL KNOWLEDGE, AT THE MCGILL ENCAMPMENT ON MOHAWK LAND FOR ALL INDIGENOUS PEOPLE OF THE WORLD.

 

MNN May 3, 2024.The kahnistensera Mohawk Mothers wholly support the encampment that the McGill students and professors set up to demand that McGill divests from the ongoing genocide of indigenous Palestinian people in Gaza. 

In 2015 Palestinian students at McGill came to see us to share their concerns that McGill is conducting military research in its “war labs” that were used against Paleistinians. As a result one of the Mohawk Mothers issued a notice of seizure of McGill Universsity on September 12, 2012, which sits on Mohawk Kanienkehaka land. Since then the Mohawk have experienced McGill’s ongoing colonial enterprise both against the Palestinians and Kanienkehaka. 

McGill is now using its students tuition money to appeal a judgment the Mohawk Mothers obtained at the Montreal Superior Court to make them respect a settlement agreement signed with the Mohawk Mothers to allow expert archaeologists to search for the potential unmarked graves of the Mohawk and other relatives used as guinea pigs in medical experiments at the Royal Victoria Hospital.

“Why does McGill continue to invest its money to fight us and other indigenous people throughout the world? McGill has to divest all the money it is devoting to fight against the indigenous rights, dignity and lives here on Turtle Island and in the Middle East. We stand with the encampment and the students are here on our unceded territory with our permission. 

The Superior Court of Montreal also agree they are doing nothing illegal. We Mohawks kanienkehaka have our own legal system since time immemorial, the Great Peace, which promotes non-violent peaceful and egalitarian resolution between all peoples regaredless of their race and color. 

McGill would be better to abide by our way which is on our territory, to avoid sowing more conflict and violence as it is now doing.  

niawen”

As the the students resist and persist to end the wars,  Karonhiatajegeh’s Unity flag flies in the middle of it and we can hear whispers of the students saying “God Bless Louis Hall”, as we know that Karohiatajegeh hears it in the spirit world and smiles upon us. “You are you. I am me. He is he. She is she. When we put our minds together, we are  the people, all children of mother earth. We are one . Celebrate. The power of one mind, participate. The power is the people. Not the money or the war. Let’s raise our voices so they hear us. Let them roar. No more killing of our own family. Let’s give peace a berth. ‘Cause we’re all in this together. We the people of Mother Earth”.

 MohawkMothers.ca

Kahnistensera@Riseup.com

mohawknationnews.com

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SUSPECT SEEKS BUT DOESN’T SEE

MOHAWK MOTHERS SEEK & MCGILL DOESN’T SEE CHILDREN’S GRAVES

MNN. Apr. 15, 2024. This is a reprint of a Montreal Gazette article. On Friday, April 12, 2024, there was a case management conference at the Superior Court of Montreal between the Kahnistensera Mohawk Mothers, McGill U and the SQI Quebec government.  The Mohawk Mothers are requesting that McGill and SQI refrain from excavating archaeological zones until the appeal is heard in June 2024.

“How to search for graves at Royal Vic site? Mohawks, McGill, Quebec clash

As distrust deepens over results of archeological digs at the former hospital property, a court decision looms.

Clash over possible Indigenous graves at Royal Vic siteAerial view of the former Royal Victoria Hospital, right, and the Allan Memorial Institute, top left. Are bodies of Indigenous children buried at the sprawling site, part of which is to become an $870-million extension of McGill University? PHOTO BY DAVE SIDAWAY /Montreal Gazette

https://montrealgazette.com/news/local-news/how-to-search-for-graves-at-royal-vic-site-mohawks-mcgill-quebec-clash

Clash over possible Indigenous graves at Royal Vic site
Members of the Mohawk Mothers of Kahnawake, from left: Kwetiio, Kahentinetha, Karennatha and Karakwiné. Kwetiio says McGill and Quebec are rushing the probe of the former Royal Vic site. “It’s supposed to be an unbiased search but it isn’t.” PHOTO BY PIERRE OBENDRAUF /Montreal Gazette.Our story is like a baseball game. Is it true! Probably. John Fogarty explains baseball pretty good with this analogy of a baseball game. We wonder if the game is fixed. We will play to win!

Well, I beat the drum and hold the phoneThe sun came out todayWe’re born again, there’s new grass on the fieldA-roundin’ third and headed for homeIt’s a brown-eyed handsome manAnyone can understand the way I feel
Oh, put me in, coachI’m ready to play todayPut me in, coachI’m ready to play todayLook at me, I can be centerfield
Well, I spent some time in the Mudville NineWatching it from the benchYou know I took some lumpsWhen the Mighty Casey struck outSo say, “Hey Willie, tell Ty Cobb and Joe DiMaggio”Don’t say it ain’t so you, know the time is now
Oh, put me in, coachI’m ready to play todayPut me in, coachI’m ready to play todayLook at me, I can be centerfield
You got a beat up glove, a homemade batAnd a brand new pair of shoesYou know I think it’s time to give this game a rideJust to hit the ball and touch ’em all, a moment in the sunIt’s a-gone and you can tell that one goodbye
Oh, put me in, coachI’m ready to play todayPut me in, coachI’m ready to play todayLook at me, I can be centerfield (yeah)
Oh, put me in, coachI’m ready to play todayPut me in, coachI’m ready to play todayLook at me, gotta be centerfield
Yeah

NOW READ THE GAZETTE STORY:

John Fogerty - Centerfield

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NO REDEMPTION” FOLLOW UP

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REGULATED MURDER AT FORT CHIP

 

MNN. Mar. 24, 2024. Please post & circulate. This is about regulated murder of indigenous at Fort Chipewyan.

https://www.theinteldrop.org/2024/03/24/canada-in-oil-country-first-nation-with-high-cancer-rates-accuses-aer-of-regulated-murder/

Bobby Bare sings about those big shots who probably don’t know what could be growing in those Fort Chip waters they’ve polluted. Watch out for Marie Leveau: 

Down in Louisiana where the swamp grass grows
Lives a voodoo lady named Marie Leveau
She got a black cat tooth and a mojo bone
And anyone wouldn’t leave her alone
She go (greeeeeee) another man done gone.

She lives in a swamp in a hollow log
With a one eyed snake and a three legged dog
She got a bent bony body and stringy hair
And if she ever seen you all messin’ round there
She go (greeeeeee) another man done gone.

And then one night when the moon was black
Into the swamp come Handsome Jack
A no good man like you all know
When he was lookin’ around for Marie Leveau.

He said Marie Leveau you lovely witch
Gimme little charm that’ll make me rich
Gimme million dollars and I tell you what I’ll do
This very night I’m gonna marry you
And it’ll be ummmmmmm another man done gone.

So Marie done some magic and she shook a little sand
Made a million dollars and she put it in his hands
Then she giggled and she wiggled and she said, hey, hey
I’m gettin’ ready for my weddin’ day.

But ol’ Handsome Jack he said goodbye Marie
You’re too damn ugly for a rich man like me
Then Marie started numblin’ her fangs started gnashin’
Her body started tremblin’ and her eyes started flashin’
And she went (greeeeeee) another man done gone.

So if you ever get down where the swamp grass grow
And meet a voodoo lady named Marie Leveau
If she ever asks you to make her your wife
Man you better stay with her for the rest of your life
Or it’ll be (oheeeeeee) another man done gone…

MohawkMothers.ca

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GET YOUR “COSMIK DEGREE” AT INDIGENOUS MCGILL

 

MNN. Mar. 3, 2024. There’s only one rule when you are in a fight. WIN! As you read “Indigenous McGill”, listen to the maestro, Frank Zappa, who eerily mimics what’s been going on: 

Lyrics

The Mystery Man came over
An’ he said: “I’m outa-sight!”
He said, for a nominal service charge
I could reach Nirvana t’nite
If I was ready, willing ‘n able
To pay him his regular fee
He would drop all the rest of his pressing affairs
And devote His Attention to me
But I said
Look here brother
Who you jivin’ with that Cosmik Debris?
Now what kind of a mask man are you anyway?
Look here brother
Don’t you waste your time on me
The Mystery Man got nervous
An’ he sorta, fidget around a bit
He reached in the pocket of his Mystery Robe
An’ he whipped out a shaving kit
Now, I thought it was a razor
An’ a can of foamin’ goo
But he told me right then when the top popped open
There was nothin’ his box won’t do
With the oil of Afro-dytee
An’ the dust of the Grand Wazoo
He said
“You might not believe this Pancho, but it’ll fix up that war paint for you too”
An’ I said
Look here brother (thank you mask man. thank you)
Who you jivin’ with that Cosmik Debris?
Ah, mask man is a faggot
Look here brother
Don’t you waste your time on me
I’ve got troubles of my own, I said
An’ you can’t help me out
So take your meditations an’ your preparations
An’ ram it up yer snout
“BUT I GOT A KRISTL BOL!”, he said
An’ held it to his horse
So I snatched it
All away from him
An’ I showed him how to do it right of course
I wrapped a newspaper ’round my head
So I’d look like I was Deep
I said some Mumbo Jumbos then
An’ told him he was goin’ to sleep
I robbed his rings
An’ pocket watch
An’ everything else I found
I had that sucker hypnotized
He couldn’t even make a sound
I proceeded to tell him his future then
As long as he was hanging around
I said
“The price of pajamas has just gone up
An’ yer ol’ swarmy have just gone down”
Look here swarmy
Who you jivin’ with that Cosmik Debris?
(Now is that a real poncho or is that a Seattle poncho who can tell anymore?)
Don’t you know
You could make more money in sindication
So don’t you waste your time on me
Ohm shonty, ohm shonty, ohm shonty-ohm
Source: Musixmatch
Songwriters: Frank Zappa
Cosmik Debris lyrics © Munchkin Music Co

Frank Zappa - Cosmik Debris (Visualizer)

NOW READ THE STORY ABOUT “INDIGENOUS MCGILL”:

 

Indigenous McGill

hang-around-the-court-indian thahoketoteh@ntk.com

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kahnistensera@riseup,net

box 991, kahnawake que. canada J0L 1B0 Continue reading

DISCOVERING DEAD CHILDREN FED TO PIGS UNDER QUEBEC LIQUOR BOARD WAREHOUSE

 MNN. Feb. 6, 2024. The Duplessis Orphans have been standing with the Kahnistensera Mohawk Mothers over the issue of unmarked graves of native and non-native children. SAQ is the Quebec Societe des alcools du Quebec which is a government department that distributes wine, beer and spirits to over 400 stores in Quebec.  The SAQ warehouse site is known as the “pigsty cemetary” where dead native and non-native children were allegedly fed to the pigs.
[Translation from French.]
“GRAVES ON SAQ LANDS?   
Nathaëlle Morissette La Presse, February 6, 2024
The possible presence of anonymous graves of orphaned and aboriginal children in a former cemetery located on current SAQ grounds could extend the $300 million expansion of the liquor distribution center, which has been suspended since the beginning of January 2024.

WHAT YOU NEED TO KNOW. 

The SAQ stoppage of the expansion and modernization of its liquor distribution center was at the request of the Duplessis Orphans and the Mohawk Mothers,l which suspect the presence of graves of native and non-native children. A portion of the SAQ’s land is located on a former cemetery. A meeting is expected to take place between the Crown corporation and the two groups to discuss the setting up of a protocol.

The SAQ suspended the excavation at the request of the Comité des orphelins et orphelines institutionnalisés de Duplessis and Kanien’keha : ka Kahnistensera, a group of aboriginal activists commonly referred to as the “Mohawk Mothers”.  In a January 8 letter they requested the crown corporation to suspended the construction so that “basic precautions” can be put in place.The SAQ liquor distribution center and head office is located in the eastern part of Montreal, near the Louis-Hippolyte-La Fontaine bridge-tunnel.The expansion and automation of the center is scheduled for completion in 2027  and is estimated to cost around $300 million. This includes a new 192,000 sq. ft. building. The SAQ will expand its online offering to 20,000 products, increase warehouse processing speed and offer 24-hour delivery, which is presently not the case. 

“…the SAQ warehouses on Rue des Futailles is a former cemetery that once belonged to the Sœurs de la Providence, [Sisters of the Providence]” according to the notice sent to La Presse . “The site served as an informal cemetery for unclaimed bodies of patients who died at Hôpital Saint-Jean-de-Dieu. It’s possible there are burials of anonymous children, or some named from the Duplessis Orphans, and a strong probability that aboriginal children were also buried on the site.”

The letter from the Duplessis Committee and Mohawk Mothers point to a high probability of anonymous burials of Aboriginal and non-Aboriginal children on the site. Both parties would like to establish an archaeological and forensic protocol with the SAQ to ensure the protection of human remains prior to excavation. They have requested a meeting with the company’s management. The SAQ confirmed that it would like to discuss the next steps with both groups. “Upon receipt of [the] letter [from the Duplessis Orphans and Mohawk Mothers], SAQ decided not to undertake excavation on the proposed expansion, while establishing a plan of action.”

For the moment, no meeting date has been set.”Official exhumation measures were […] undertaken on this property in the late 1960s, before it was owned by the SAQ,” the Crown corporation stated in an official statement by email to La Presse.

BY THE BOOK. 

According to anthropologist, Philippe Blouin, who works closely with the Mohawk Mothers and acts as their French interpreter, the signatories were only notified of the work stoppage late on Friday February 2nd, a few hours after La Presse had questioned the SAQ about the matter. “It was registered as a cemetery,” says Blouin, who is also a lecturer and doctoral candidate in anthropology at McGill University. “Unofficially, it was called the “pigsty cemetery”. Unclaimed bodies, mostly of children who were at Saint-Jean-de-Dieu, were buried there. Many of the bodies were exhumed and transported to Saint-François-d’Assise Cemetery. By accident, in 1999 during the expansion projects [of the SAQ] some bones were found.”

Their letter stated, “As representatives of the Duplessis orphan and Mohawk communities, we do not wish to see such accidental discoveries happen again,” reads the letter. In 1999 and today, the SAQ asserts that the were “animal remains”.

Regarding the distribution center, Hervé Bertrand, president of the committee representing the Duplessis orphans, is convinced that human bones were involved. If the SAQ won’t cooperate, he won’t hesitate to go to court, he told La Presse.

A ROYAL VICTORIA, TAKE 2? 

The SAQ case is not the only one of interest to the aboriginal group, whose role in Mohawk law is to ensure the preservation of traditional territory. The Mohawk Mothers have gone to Quebec Superior Court and forced a halt to the work planned at the Royal Victoria Hospital for McGill University to expand its campus. The Mohawk Mothers fear that excavation work will destroy possible native burials and clandestine graves. In October the Superior Court forced McGill University and the Société québécoise des infrastructures (SQI) to reinstate the Panel of Expert Archaeologists to carry out proper excavations. A few weeks ago the SQI and the university appealed the ruling. The appeal will be heard on June 11.

The brilliance of this song is because it is being sung by the spirit of our buried children, by The Band Perry: “If I die young , bury me in satin. Lay me down on a bed of roses. Send me on the river at dawn. Send me away with the words of a love song. Or make me a rainbow and I’ll shine down on my mother. She’ll know I am safe with you when she stands under my colors. And life ain’t even gray but she buries her baby. The sharp knife of a short life. Well I have had just enough time. If I die young bury me in satin . . . .”
box 911, kahnawake, que. canada J0L 1B0

MASS MACABRE MUSEUM INC.

MNN. JAN. 29, 2024. All North American museums depict lies  and “genocide” of the onkwehonwe, the original people of turtle island. We want back everything that was taken from us such as the wampum records that were hidden or destroyed as if we never existed. Stop displaying our skulls for profit such as Apache Geronimo’s skull stolen and being filled with whiskey for the “Skull and Bones” ritual of the graduating elite at Yale University. We want all the museum buildings so we can display the truth of the evil practices that destroyed the people of the great peace to create the U.S.”Republic of War”.

Our “hanging tobacco” have been in the shadows doing their work. The truth must be shown such as the residential school death camps, the MKULTRA experiments by the CIA and Canada, the murders of our children whose remains are now being found. 120 million original people of the Western Hemisphere were murdered by the settler colonialists. The whole truth must be displayed! Grave robbing must end! Canada must step up to the plate immediately to enact a Graves Protection Act to help us find our people. Canada’s reaction to the mass graves found in 2021 was to create the Office of the Special Interlocutor for Missing Children. Their mandate will finish next summer. We need a permanent permanent  independent onkwehonwe office for investigating the murders of our children. Although Canada has admitted genocide, there are no laws as in the US to protect our heritage?  

Leading Museums Remove Native Displays Amid New Federal Rules

https://www.yahoo.com/news/leading-museums-remove-native-displays-183325697.html

NEW YORK — The American Museum of Natural History will close two major halls exhibiting Native American objects, its leaders said on Friday, in a dramatic response to new federal regulations that require museums to obtain consent from tribes before displaying or performing research on cultural items.

Professors use actual skulls of murdered Indians to teach.

The halls we are closing are artifacts of an era when museums such as ours did not respect the values, perspectives and indeed shared humanity of Indigenous peoples,” Sean Decatur, the museum’s president, wrote in a letter to the museum’s staff on Friday morning. “Actions that may feel sudden to some may seem long overdue to others.”

The museum is closing galleries dedicated to the Eastern Woodlands and the Great Plains this weekend, and covering a number of other display cases featuring Native American cultural items as it goes through its enormous collection to make sure it is in compliance with the new federal rules, which took effect this month.

Museums around the country have been covering up displays as curators scramble to determine whether they can be shown under the new regulations. The Field Museum in Chicago covered some display cases, the Peabody Museum of Archaeology and Ethnology at Harvard University said it would remove all funerary belongings from exhibition and the Cleveland Museum of Art has covered up some cases.

But the action by the American Museum of Natural History in New York, which draws 4.5 million visitors a year, making it one of the most visited museums in the world, sends a powerful message to the field. The museum’s anthropology department is one of the oldest and most prestigious in the United States, known for doing pioneering work under a long line of curators including Franz Boas and Margaret Mead. The closures will leave nearly 10,000 square feet of exhibition space off-limits to visitors; the museum said it could not provide an exact timeline for when the reconsidered exhibits would reopen.

Some objects may never come back on display as a result of the consultation process,” Decatur said in an interview. “But we are looking to create smaller-scale programs throughout the museum that can explain what kind of process is underway.”

The changes are the result of a concerted effort by the Biden administration to speed up the repatriation of Native American remains, funerary objects and other sacred items. The process started in 1990 with the passage of the Native American Graves Protection and Repatriation Act, or NAGPRA, which established protocols for museums and other institutions to return human remains, funerary objects and other holdings to tribes. But as those efforts have dragged on for decades, the law was criticized by tribal representatives as being too slow and too susceptible to institutional resistance.

This month, new federal regulations went into effect that were designed to hasten returns, giving institutions five years to prepare all human remains and related funerary objects for repatriation and giving more authority to tribes throughout the process.

We’re finally being heard — and it’s not a fight, it’s a conversation,” said Myra Masiel-Zamora, an archaeologist and curator with the Pechanga Band of Indians.

Even in the two weeks since the new regulations took effect, she said, she has felt the tenor of talks shift. In the past, institutions often viewed Native oral histories as less persuasive than academic studies when determining which modern-day tribes to repatriate objects to, she said. But the new regulations require institutions to “defer to the Native American traditional knowledge of lineal descendants, Indian Tribes and Native Hawaiian organizations.”

We can say, ‘This needs to come home,’ and I’m hoping there will not be pushback,” Masiel-Zamora said.

Museum leaders have been preparing for the new regulations for months, consulting lawyers and curators and holding lengthy meetings to discuss what might need to be covered up or removed. Many institutions are planning to hire staff to comply with the new rules, which can involve extensive consultations with tribal representatives.

The result has been a major shift in practices when it comes to Native American exhibitions at some of the country’s leading museums — one that will be noticeable to visitors.

At the American Museum of Natural History, segments of the collection once used to teach students about the Iroquois, Mohegans, Cheyenne, Arapaho and other groups will be temporarily inaccessible. That includes large objects, like the birchbark canoe of Menominee origin in the Hall of Eastern Woodlands, and smaller ones, including darts that date as far back as 10,000 B.C. and a Hopi Katsina doll from what is now Arizona. Field trips for students to the Hall of Eastern Woodlands are being rethought now that they will not have access to those galleries.

What might seem out of alignment for some people is because of a notion that museums affix in amber descriptions of the world,” Decatur said. “But museums are at their best when they reflect changing ideas.”

Exhibiting Native American human remains is generally prohibited at museums, so the collections being reassessed include sacred objects, burial belongings and other items of cultural patrimony. As the new regulations have been discussed and debated over the past year or so, some professional organizations, such as the Society for American Archaeology, have expressed concern that the rules were reaching too far into museums’ collection management practices. But since the regulations went into effect on Jan. 12, there has been little public pushback from museums.

Much of the holdings of human remains and Native cultural items were collected through practices that are now considered antiquated and even odious, including through donations by grave robbers and archaeological digs that cleared out Indigenous burial grounds.

This is human rights work, and we need to think about it as that and not as science,” said Candace Sall, the director of the museum of anthropology at the University of Missouri, which is still working to repatriate the remains of more than 2,400 Native American individuals. Sall said she added five staff members to work on repatriation in anticipation of the regulations and hopes to add more.

Criticism of the pace of repatriation had put institutions such as the American Museum of Natural History under public pressure. In more than 30 years, the museum has repatriated the remains of approximately 1,000 individuals to tribal groups; it still holds the remains of about 2,200 Native Americans and thousands of funerary objects. (Last year, the museum said it would overhaul practices that extended to its larger collection of some 12,000 skeletons by removing human bones from public display and improving the storage facilities where they are kept.)

A top priority of the new regulations, which are administered by the Interior Department, is to finish the work of repatriating the Native human remains in institutional holdings, which amount to more than 96,000 individuals, according to federal data published in the fall.

The government has given institutions a deadline, giving them until 2029 to prepare human remains and their burial belongings for repatriation.

In many cases, human remains and cultural objects have little information attached to them, which has slowed repatriation in the past, especially for institutions that have sought exacting anthropological and ethnographic evidence of links to a modern Native group.

Now the government is urging institutions to push forward with the information they have, in some cases relying solely on geographical information — such as what county the remains were discovered in.

There have been concerns among some tribal officials that the new rules will result in a deluge of requests from museums that may be beyond their capacities and could create a financial burden.

Speaking in June to a committee that reviews the implementation of the law, Scott Willard, who works on repatriation issues for the Miami Tribe of Oklahoma, expressed concern that the rhetoric regarding the new regulations sometimes made it sound as if Native ancestors were “throwaway items.”

This garage sale mentality of ‘give it all away right now’ is very offensive to us,” Willard said.

The officials who drew up the new regulations have said that institutions can get extensions to their deadlines as long as the tribes that they are consulting with agree, emphasizing the need to hold institutions accountable without overburdening tribes. If museums are found to have violated the regulations, they could be subject to fines.

Bryan Newland, the assistant secretary for Indian Affairs and a former tribal president of the Bay Mills Indian Community, said the rules were drawn up in consultation with tribal representatives, who wanted their ancestors to recover dignity in death.

Repatriation isn’t just a rule on paper,” Newland said, “but it brings real meaningful healing and closure to people.”

c.2024 The New York Times Company

Michael Jackson’s “Thriller” is an illustration of how scared our innocent  and unaware youngsters must have been after being kidnapped and placed in the residential schools of horror run by the settler colonialists and the churches:

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“SPACES OF EXCEPTION” Genocide of Indigenous & Palestinians

Photo: Debra White Plume, Oglala Lakota, in the film, “We Love Being Lakota,” which evolved into the film, “Spaces of Exception.”


Spaces of Exception Film Exposes Atrocities and Genocide of Native People and Palestinians

 

By Brenda Norrell, Censored News, November 17, 2023


MONTREAL — The film Spaces of Exception revealing the atrocities and genocide of Native people — Lakota, Navajo, and Mohawk — and of Palestinians — was shown in Montreal at McGill University. It is here at McGill that Mohawk Mothers have an ongoing court battle to search for graves of Native children at the hospital where the CIA conducted MK-Ultra torture experiments.

 
Among those who were involved in the series of films in the project were Debra White Plume and Olowan Sara Martinez, our Oglala Lakota friends of Pine Ridge, South Dakota, now in the Spirit World. Their bold stance as defenders of the water and people was manifest at the Red Warrior Camp at Standing Rock, during the resistance to the Dakota Access Pipeline in North Dakota.
 
At McGill University, the event included the co-editors of the book, The Mohawk Warrior Society: A Handbook on Sovereignty and Survival, with Philippe Blouin and Kahentinehta Rotiskarewake. The film showing was given a small room by the university in an obvious attempt to limit the number attending.
 
‘Spaces of Exception’ is the latest in a series of films, which began with ‘We Love Being Lakota.’
 
Alex White Plume says that the ancient people, the Palestinians, and Native people have been oppressed in the same way. “They are committing genocide after genocide over there.”
 
Debra White Plume says the connection goes beyond solidarity.
 
“It is a spiritual connection.”
 
Debra said that the genocide is rooted in the quest of the oppressors to separate the people, for occupation, and to take the minerals and the land — both in Palestine and on this continent.
 

Matt Peterson and Malek Rasamny, who co-edited The Mohawk Warrior Society: A Handbook on Sovereignty and Survival, directed the feature-length documentary film Spaces of Exception.

The filmmakers said, “Profiling the American Indian reservation alongside the Palestinian refugee camp, Spaces of Exception was filmed from 2014 to 2017 in Arizona, New Mexico, New York, and South Dakota as well as Lebanon and the West Bank. It is an attempt to understand the significance of the land—its memory and divisions—and the conditions for life, community, and sovereignty.”

‘Spaces of Exception’ Standing Rock, Oceti Sakowin Camp, water protectors resisting Dakota Access Pipeline in North Dakota.


Filmmaker Matt Peterson said ‘Spaces of Exception’ includes the Dine’ battling relocation because of Peabody Coal at Black Mesa, the Mohawk Warrior Society and the people of Palestine.

 
“The film investigates and juxtaposes the struggles, communities, and spaces of the American Indian reservation and the Palestinian refugee camp. It was shot over the course of three years in the West Bank and Lebanon, as well as in Arizona, New Mexico, New York, and South Dakota,” Peterson said.
Spaces of Exception film trailer 

“Spaces of Exception features interviews with members of the American Indian Movement, the Mohawk Warrior Society, and Diné families resisting displacement on Black Mesa, as well as members of Fatah, Palestinian environmental and media activists, autonomous youth committees, and the families of political prisoners and martyrs.”

“The film is an attempt to understand the significance of the land – its memory and divisions – and the conditions for life, community, and sovereignty.
 

Akwesasne Mohawk ‘Spaces of Exception’
The first Native land that the filmmakers visited was Pine Ridge in South Dakota, and through activists, were able to reach Olowan Sara Martinez, whose mother had visited Palestinian refugee camps in Lebanon in 1979 as part of a delegation with the American Indian Movement.


“Once she heard about our project she was excited to meet and talk with us, and from that first trip we made the short video We Love Being Lakota with Ojibway artist Adam Khalil,” the filmmakers said.

 

“The video became something of a calling card to introduce and explain our project and approach. As we continued traveling, meeting people, making and showing short films, it became easier and easier.”

We Love Being Lakota is the first in a series of videos and texts from our documentary project The Native and the Refugee, connecting the struggles taking place on Indian reservations in the United States with those in Palestinian refugee camps in the. Middle East.

Olowan Sara Martinez, Oglala Lakota, Pine Ridge

Olowan says in the film, “For us, as young Tokalas, we don’t wanna be stuck in the waiting process, waiting for a handout, waiting for something to go our way. Waiting, waiting, that’s what Fat Taker did was he trained us to wait, trained us to stand in line.”

 

“Watch out. Join or get the hell out of the way.”

The filmmakers said, “RIP Olowan Sara Martinez (1974-2022), who was instrumental in inviting us to film at both Pine Ridge and Standing Rock, and who appeared in our films We Love Being Lakota (2015), Indian Winter (2017), and Spaces of Exception (2019). She was a brilliant, eloquent, inspiring, courageous, and incredibly strong woman who will be greatly missed.”

‘Spaces of Exception’
In Montreal, Spaces of Exception held its Canadian premiere at McGill University.

The “Spaces of Exception” event at McGill University was sponsored by Stasis- groupe d’enquête sur le contemporainGRIP UQAM and the Critical Media Lab.
 
Watch “We Love Being Lakota,” with Debra and Alex White Plume, Olowan Sara Martinez, and scenes from the Occupation of Wounded Knee 1973.
 


The series


We Love Being Lakota
Adam Khalil, Matt Peterson, Malek Rasamny, 2015, 12 min
This video was taken during our December visit to the Pine Ridge Indian Reservation in South Dakota. Home of the Oglala Lakota, “the fiercest warrior tribe on the continent”, the film takes a meditative look at Lakota identity in the face of US colonialism, and their relationship to the sacred land they have been pushed out of after two centuries of warfare and theft.Men’s Council of the People of the Way of the Longhouse

Adam Khalil, Matt Peterson, Malek Rasamny, 2015, 12 min
Taking place on the Mohawk territory of Akwesasne–on the borders of New York, Ontario and Quebec–this video juxtaposes footage of a special January gathering at their longhouse, featuring elder Paul Delaronde; archival footage of the Mohawk Warrior Society; and shots of the polluted, decaying industrialized remains surrounding their territory.
INAATE/SE/ (excerpt)

Adam and Zack Khalil, 2015, 10 min
“Adam Khalil and Zack Khalil (both Ojibwe) provide a raw take on their ancestral community within the Sault Ste. Marie area — documenting the harmony and debauchery of the Indigenous experience today. This experimental film, now in the works, juxtaposes the voice of the romanticizing settler with contemporary Ojibwe perspectives.” — Gloria Bell, First American Art Magazine.
 

Censored News

Ry Cooder reminds us everybody has a natural home provided by creation:

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